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	<title>Flip the Media &#187; Vimeo</title>
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		<title>How to Create a Vlog</title>
		<link>http://flipthemedia.com/index.php/2010/05/how-to-create-a-vlog/</link>
		<comments>http://flipthemedia.com/index.php/2010/05/how-to-create-a-vlog/#comments</comments>
		<pubDate>Mon, 10 May 2010 18:32:05 +0000</pubDate>
		<dc:creator>Megan Jeffrey</dc:creator>
				<category><![CDATA[Blogging]]></category>
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		<guid isPermaLink="false">http://flipthemedia.com/?p=4897</guid>
		<description><![CDATA[Like blogging, vlogging (video blogging) is a way to share your insights on a subject with an online audience. However, vlogging goes beyond the text of a blog post, transforming your content into an audio-visual broadcast. If you’re interested in vlogging, but don’t know how to start, here are some tips: The first thing you’ll [...]]]></description>
			<content:encoded><![CDATA[<p><img class="size-full wp-image-4898  alignright" src="http://flipthemedia.com/wp-content/uploads/2010/05/strvingdesigner.png" alt="Starving Designer on Vimeo.com" width="500" height="337" /></p>
<p>Like blogging, vlogging (video blogging) is a way to share your insights on a subject with an online audience. However, vlogging goes beyond the text of a blog post, transforming your content into an audio-visual broadcast. If you’re interested in vlogging, but don’t know how to start, here are some tips:</p>
<p>The first thing you’ll need is the right <strong>equipment</strong>, and the good news is you don’t need much, just a camcorder or a web camera and a good microphone. Also, for a vlog that has a more polished look, you’ll want to learn how to use video-editing software. This will enable you to add music, subtitles, etc. to your vlog. There are numerous online programs like <a href="http://www.debugmode.com/wax/">Wax</a> or <a href="http://www.thugsatbay.com/tab/?q=zweistein">Zwei-Stein Video Editor</a> that you can download for free. Also, <a href="http://www.apple.com/ilife/imovie/">Apple iMovie</a> and <a href="http://www.microsoft.com/windowsxp/using/moviemaker/default.mspx">Windows Movie Maker</a> are both easy to use and come pre-installed on Macs and PCs.</p>
<p>Once you’ve assembled your equipment, I recommend <strong>experimenting</strong>. Test the sound quality of your microphone; make sure there is sufficient lighting where you’re recording your vlog and figure out how you want to look on camera. Remember that vlogging is a form of communication, so you want to not only be visible (no low lighting), but also intelligible. Most vlog “episodes” should be one to three minutes, keeping the amount of bandwidth needed to host them to a minimum. Therefore it’s a good idea to <strong>rehearse </strong>your content. At the very least, I recommend preparing a script or some type of plan before each video so that you can deliver concise, focused content. Finally, don’t be afraid to have fun with your vlog. Depending on your audience, you’ll want to be more than just informative; you’ll also want to be candid and entertaining. Like blogging, it’s important to pick subjects you love and can explore in a series of posts. One episode doth not a vlog make.</p>
<p><span id="more-4897"></span></p>
<p>After you shoot and edit your vlog, it’s time to <strong>post it online</strong>. Most vloggers post on video-sharing sites such as <a href="http://www.youtube.com/">YouTube</a> or <a href="http://vimeo.com/">Vimeo</a>. However, <a href="http://wordpress.com/">WordPress</a> is also a great place to privately host your vlog, and many <a href="http://www.canon5dtips.com/2009/08/best-wordpress-video-theme-vlog-to-show-your-videos/">WordPress themes have been created especially for vloggers</a> who want to express their unique personality or professional expertise. Regardless of where you post, make sure to<strong> tag</strong> your videos and make them fully accessible to your audience. Title each entry and write useful, searchable descriptions that are more than just a five-word blurb. Finally, before publishing your vlog to the Web, test it one last time to make sure it’s working the way you want it to; your audience will thank you.</p>
<p>Remember that you’re vlogging in a community environment. This means it’s not only important to <strong>respond</strong> to constructive commentary on your own blog, but you should also seek out and interact with other vloggers. Once you start commenting on other videos, you’ll discover that this interaction can inspire new videos of your own or lead to collaborations between vloggers that generate positive publicity for both parties.</p>
<p>To further encourage your endeavors, here are three of my favorite vloggers (some language NSFW). Who are yours?</p>
<ul>
<li>Natalie      Tran (aka <a href="http://www.youtube.com/user/communitychannel">communitychannel</a>) is one of      YouTube’s most popular vloggers, known primarily for her self-deprecating      and observational humor.</li>
</ul>
<ul>
<li><a href="http://thatguywiththeglasses.com/videolinks/thatguywiththeglasses/nostalgia-critic">The      Nostalgia Critic</a> offers hilarious commentary on the entertainment of a not-so-distant past.      For those who grew up during the 80s or 90s, prepare to have your      childhood favorites skewered.</li>
</ul>
<ul>
<li><a href="http://vimeo.com/groups/starvingdesigner">Starving Designer</a> is a vlog      community on Vimeo. Styled as a “semi-reality” show about the creative      process, this is <a href="http://vimeo.com/groups/starvingdesigner/videos/10928483">storytelling</a> that will      amaze and inspire.</li>
</ul>
<p><em>Megan Jeffrey is a graduate student in the MCDM program at the University of Washington. She has a bachelor’s degree in journalism and public relations from Cal Poly University, San Luis Obispo. She has worked as an account assistant for Verdin Marketing Ink, a community manager for Serra Media and as a HubPages.com columnist. Megan is currently the social media strategist for the UW School of Drama.</em></p>
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<br/><br/><h3  class="related_post_title">Related Posts</h3><ul class="related_post"><li>August 31, 2009 -- <a href="http://flipthemedia.com/index.php/2009/08/visual-storytelling-for-web-tips-and-techniques/" title="Visual Storytelling For Web: Tips And Techniques">Visual Storytelling For Web: Tips And Techniques</a> (1)</li><li>February 24, 2009 -- <a href="http://flipthemedia.com/index.php/2009/02/the-search-for-the-elusive-cc-music-part-13/" title="The Search for the Elusive CC Music (Part 1/3)">The Search for the Elusive CC Music (Part 1/3)</a> (2)</li><li>January 23, 2009 -- <a href="http://flipthemedia.com/index.php/2009/01/the-death-of-story-not-in-my-class/" title="The Death of Story? Not in My Class.">The Death of Story? Not in My Class.</a> (10)</li><li>February 2, 2011 -- <a href="http://flipthemedia.com/index.php/2011/02/will-you-tell-your-story-with-a-qwiki/" title="Will you tell your story with a Qwiki?">Will you tell your story with a Qwiki?</a> (4)</li><li>March 3, 2009 -- <a href="http://flipthemedia.com/index.php/2009/03/the-search-for-the-elusive-cc-music-part-33/" title="The Search for the Elusive CC Music (Part 3/3)">The Search for the Elusive CC Music (Part 3/3)</a> (1)</li></ul>]]></content:encoded>
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		<title>The Death of Story? Not in My Class.</title>
		<link>http://flipthemedia.com/index.php/2009/01/the-death-of-story-not-in-my-class/</link>
		<comments>http://flipthemedia.com/index.php/2009/01/the-death-of-story-not-in-my-class/#comments</comments>
		<pubDate>Sat, 24 Jan 2009 04:12:31 +0000</pubDate>
		<dc:creator>Hanson Hosein</dc:creator>
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		<guid isPermaLink="false">http://flipthemedia.com/?p=2522</guid>
		<description><![CDATA[Loved this tongue in cheek article in the latest issue of Wired: The film industry is slowly but steadily being forced to part with quaint artifacts like the &#8220;hero&#8217;s journey&#8230;&#8221; Of course in my Storytelling &#38; Digital Media class, we meet Joseph Campbell and Aristotle head-on, cos&#8217; you need to know the &#8220;rules&#8221; before you [...]]]></description>
			<content:encoded><![CDATA[<p>Loved this <a href="http://www.wired.com/techbiz/people/magazine/17-02/pl_brown" target="_blank">tongue in cheek article</a> in the latest issue of Wired:</p>
<blockquote><p>The film industry is slowly but steadily being forced to part with quaint artifacts like the &#8220;hero&#8217;s journey&#8230;&#8221;</p></blockquote>
<p>Of course in my <a href="http://courses.washington.edu/mmst/index.html" target="_blank">Storytelling &amp; Digital Media</a> class, we meet Joseph Campbell and Aristotle head-on, cos&#8217; you need to know the &#8220;rules&#8221; before you can break them.  Many of my students reached for the stars with our latest exercise: shoot a 2-minute film with a beginning, middle and end (Aristotle), doing only in-camera edits.</p>
<p>Here is just some of our work (all of our films are up on our class social networking site, <a href="http://www.mcdmspace.ning.com" target="_blank">www.mcdmspace.ning.com).</a><span id="more-2522"></span></p>
<p>The idea of shooting a 2-minute film without editing it later may sound like a simple exercise, but these films required considerable planning.</p>
<p>Nicole spent a lot of time storyboarding this, and then shot it with the video function on the new Canon 5d SLR camera.</p>
<p><a href="http://flipthemedia.com/index.php/2009/01/the-death-of-story-not-in-my-class/"><em>Click here to view the embedded video.</em></a></p>
<p>Then there&#8217;s Matt&#8217;s edgy, &#8220;This Encounter is a Lie:&#8221;</p>
<p><a href="http://flipthemedia.com/index.php/2009/01/the-death-of-story-not-in-my-class/"><em>Click here to view the embedded video.</em></a></p>
<p>I loved the fact that Jay filmed this with her Macbook&#8217;s <em>webcam</em> (good thing Seattle wasn&#8217;t living up to its rainy reputation that day):</p>
<p><a href="http://flipthemedia.com/index.php/2009/01/the-death-of-story-not-in-my-class/"><em>Click here to view the embedded video.</em></a></p>
<p>To complete the relationship angst trifecta, here&#8217;s Margery&#8217;s &#8220;Waiting for Him&#8221; (we penalized her a bit for using copyrighted music, but I see that YouTube now provides an on-screen link to buy the song from iTunes):</p>
<p><a href="http://flipthemedia.com/index.php/2009/01/the-death-of-story-not-in-my-class/"><em>Click here to view the embedded video.</em></a></p>
<p>Annie blew my mind with this interactive &#8220;analog&#8221; survey:</p>
<p><a href="http://flipthemedia.com/index.php/2009/01/the-death-of-story-not-in-my-class/"><em>Click here to view the embedded video.</em></a></p>
<p>Update: I had to add Yen-Ching&#8217;s French cinema-comes-to-UW-campus film:</p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="448" height="364" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="flashvars" value="config_url=http%3A%2F%2Fmcdmspace.ning.com%2Fvideo%2Fvideo%2FshowPlayerConfig%3Fid%3D2712746%253AVideo%253A362%26x%3DOUWmgDmCWbDDRUvOkLtoRV1zhJ8Apj0A&amp;video_smoothing=on&amp;autoplay=off&amp;layout=external_site" /><param name="src" value="http://static.ning.com/mcdmspace/widgets/video/flvplayer/flvplayer.swf?v=3.12.1%3A14070" /><param name="wmode" value="transparent" /><embed type="application/x-shockwave-flash" width="448" height="364" src="http://static.ning.com/mcdmspace/widgets/video/flvplayer/flvplayer.swf?v=3.12.1%3A14070" wmode="transparent" flashvars="config_url=http%3A%2F%2Fmcdmspace.ning.com%2Fvideo%2Fvideo%2FshowPlayerConfig%3Fid%3D2712746%253AVideo%253A362%26x%3DOUWmgDmCWbDDRUvOkLtoRV1zhJ8Apj0A&amp;video_smoothing=on&amp;autoplay=off&amp;layout=external_site"></embed></object><br />
<small><a href="http://mcdmspace.ning.com/video/video">Want to see more of our work? Find more videos like this on <em>MCDM Media Space</em></a></small></p>



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		<title>HD and Online Video</title>
		<link>http://flipthemedia.com/index.php/2008/12/hd-and-online-video/</link>
		<comments>http://flipthemedia.com/index.php/2008/12/hd-and-online-video/#comments</comments>
		<pubDate>Wed, 10 Dec 2008 07:42:06 +0000</pubDate>
		<dc:creator>Hanson Hosein</dc:creator>
				<category><![CDATA[Content Creation]]></category>
		<category><![CDATA[Distribution]]></category>
		<category><![CDATA[Canon HF10]]></category>
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		<category><![CDATA[Flip Mino HD]]></category>
		<category><![CDATA[HD]]></category>
		<category><![CDATA[HV20]]></category>
		<category><![CDATA[Kodak Zi6]]></category>
		<category><![CDATA[Lumix TZ5]]></category>
		<category><![CDATA[Pentax W60]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[Vimeo]]></category>
		<category><![CDATA[YouTube]]></category>

		<guid isPermaLink="false">http://flipthemedia.com/?p=2350</guid>
		<description><![CDATA[Not so long ago, video experts would tell you that you didn&#8217;t need an High Definition camera if you were going to only upload your oeuvre to the Internet.  Compression was so bad on sites like YouTube that your video resolution really didn&#8217;t matter: it would still end up looking like pixellated hash. Not any [...]]]></description>
			<content:encoded><![CDATA[<p>Not so long ago, video experts would tell you that you didn&#8217;t need an High Definition camera if you were going to only upload your oeuvre to the Internet.  Compression was so bad on sites like YouTube that your video resolution really didn&#8217;t matter: it would still end up looking like pixellated hash.</p>
<p>Not any more.  It seems as if everyone has gotten HD religion in the last month or two: with the proliferation of inexpensive HD cameras (such as the <a href="http://www.obsessable.com/feature/obsessable-flip-mino-hd-review/" target="_blank">Flip Mino HD</a> and <a href="http://www.macworld.com/article/137262/2008/12/eddyawards_zi6.html" target="_blank">Kodak Zi6</a>) and an upgrade of various video platforms.</p>
<p>Take a look at this Facebook video, shot on my <a href="http://www.photographyblog.com/index.php/weblog/comments/pentax_optio_w60/" target="_blank">Pentax W60</a> point-and-shoot camera (lousy for still images, but it&#8217;s waterproof and takes 720p video at 15 frames per second). It showed up with an &#8220;HD&#8221; icon on my Facebook profile:</p>
<p><span id="more-2350"></span></p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="576" height="324" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.facebook.com/v/39539247918" /><embed type="application/x-shockwave-flash" width="576" height="324" src="http://www.facebook.com/v/39539247918" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p>(It may be even sharper <a href="http://www.facebook.com/video/video.php?v=39539247918" target="_blank">on my Facebook profile</a> as I&#8217;m not sure if the above viewer is &#8220;HD&#8221;).</p>
<p>Then there&#8217;s the same video uploaded to YouTube.  Unlike Facebook, which automatically recognized the HD resolution, YouTube didn&#8217;t (thought it does look better in this player than it does <a href="http://www.youtube.com/watch?v=gl9rJ4gT4mc&amp;eurl=http://flipthemedia.com/index.php/2008/12/hd-and-online-video/" rel="shadowbox[sbpost-2350];player=swf;width=640;height=385;" target="_blank">in YouTube itself</a>).</p>
<p><a href="http://flipthemedia.com/index.php/2008/12/hd-and-online-video/"><em>Click here to view the embedded video.</em></a></p>
<p>I&#8217;m not sure why YouTube didn&#8217;t see my file as HD, especially since it <a href="http://www.thestandard.com/news/2008/12/05/youtube-goes-hi-def" target="_blank">has just launched</a> HD video capability.  Regardless, this latest development will certainly challenge <a href="www.vimeo.com" target="_blank">Vimeo.com</a> &#8212; which previously held the HD advantage.</p>
<p>In fact, I signed up for Vimeo&#8217;s &#8220;Plus&#8221; $60 plus account recently so that I could upload 1 GB video files (still more than what YouTube allows) and embed HD viewers (can&#8217;t do that in YouTube).  This allowed me to easily share my latest film, &#8220;<a href="http://www.risingfromruins.com" target="_blank">Rising from Ruins</a>&#8221; with my collaborators.  I shot RFR on the $7,000 Sony 1080p <a href="http://pro.sony.com/bbsc/ssr/product-PMWEX1/" target="_blank">EX1</a> &#8212; a far cry from the $250 Pentax.  Here&#8217;s the embedded HD trailer of the film, which has just been delivered to its Canadian HD broadcaster.  As you may conclude, compression, whether HD or not, is still the great equalizer when it comes to what&#8217;s sharp in an embedded viewer:</p>
<p><a href="http://flipthemedia.com/index.php/2008/12/hd-and-online-video/"><em>Click here to view the embedded video.</em></a></p>
<p>The lesson here?  If you&#8217;re serious about video &#8212; online or on TV &#8212; and you&#8217;re trying to figure out what kind of camera you should get, now&#8217;s the time to go HD.</p>
<p>Recommended:</p>
<p>Flash memory video cameras: <a href="http://www.macworld.com/article/137262/2008/12/eddyawards_zi6.html" target="_blank">Kodak Zi6</a>, <a href="http://www.obsessable.com/feature/obsessable-flip-mino-hd-review/" target="_blank">Flip Mino HD </a>[not broadcast quality HD, but good enough for online]</p>
<p>Point and shoot still cameras with HD video: <a href="http://reviews.cnet.com/digital-cameras/panasonic-lumix-dmc-tz5/4864-6501_7-32848645-4.html" target="_blank">Panasonic Lumix TZ5</a> [careful with the weak audio]</p>
<p>Inexpensive HD Video cameras: Canon <a href="http://www.camcorderinfo.com/content/Canon-Vixia-HF10-Camcorder-Review-34711.htm" target="_blank">HF10</a> (flash memory), <a href="http://www.camcorderinfo.com/content/Canon-HV20-Camcorder-Review.htm" target="_blank">HV20</a> (tape)</p>



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		<title>Rising from Ruins: August Movie Trailer</title>
		<link>http://flipthemedia.com/index.php/2008/08/rising-from-ruins-august-movie-trailer/</link>
		<comments>http://flipthemedia.com/index.php/2008/08/rising-from-ruins-august-movie-trailer/#comments</comments>
		<pubDate>Tue, 05 Aug 2008 10:46:04 +0000</pubDate>
		<dc:creator>Hanson Hosein</dc:creator>
				<category><![CDATA[Content Creation]]></category>
		<category><![CDATA[Storytelling]]></category>
		<category><![CDATA[Blip.TV]]></category>
		<category><![CDATA[Crackle]]></category>
		<category><![CDATA[Hosein]]></category>
		<category><![CDATA[Independent America]]></category>
		<category><![CDATA[Katrina]]></category>
		<category><![CDATA[Vimeo]]></category>
		<category><![CDATA[YouTube]]></category>

		<guid isPermaLink="false">http://mcdm.wordpress.com/2008/08/05/rising-from-ruins-august-movie-trailer/</guid>
		<description><![CDATA[Posted by Hanson Hosein I&#8217;m three weeks away from the world premiere of my film, &#8220;Independent America: Rising from Ruins&#8221; on the 3rd anniversary of Hurricane Katrina in New Orleans.  This is the second trailer of the film (the first is here), a necessary effort even with so little time left, as all of our [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://flipthemedia.com/index.php/2008/08/rising-from-ruins-august-movie-trailer/"><em>Click here to view the embedded video.</em></a></p>
<div class="blip_description">
<p>Posted by Hanson Hosein</p>
<p>I&#8217;m three weeks away from the world premiere of my film, &#8220;Independent America: Rising from Ruins&#8221; on the 3rd anniversary of Hurricane Katrina in New Orleans.  This is the second trailer of the film (the first is<a href="http://independentamerica.typepad.com/mom_pop/2008/07/ia-rising-from.html" target="_blank"> here</a>), a necessary effort even with so little time left, as all of our promoters (grassroots, online, and big broadcast sales) need more ammunition for their marketing salvo.</p>
<p>The film will be featured at the Katrina-related event, &#8220;We Are The Ones We&#8217;ve Been Waiting For,&#8221; organized by <a href="http://www.theneworleansinstitute.org/" target="_blank">The New Orleans Institute</a>.   If I&#8217;m all about &#8220;selling the message&#8221; then this is absolutely the right time and place to start doing so.</p>
<p><span id="more-1001"></span>But for those who are new to this blog or the MCDM, why is this film project relevant?</p>
<p>1. The first<a href="http://www.independentamerica.net" target="_blank"> Independent America film</a> was pretty much <a href="http://mcdm.wordpress.com/2008/06/17/how-a-burger-on-the-columbia-launched-my-digital-media-career/" target="_blank">what inspired me</a> to take this position at the University of Washington &#8212; using social media to sell a project when Traditional Mass Media (TMM) ignored it.</p>
<p>2. There are direct MCDM/UW ties to this film: the Department of Communication considers my filmmaking directly relevant to my research work, and has even partially funded the project.  Two current MCDM students, Kirk Mastin, and John Liston, accompanied me to New Orleans last spring to assist in the filming.  A third MCDM&#8217;er, Adriana Gil Miner, was my researcher.  The opening music to this current trailer &#8220;Bad Dog&#8221; was produced and engineered by MCDM&#8217;er Brian Steel for the <a href="http://www.gravelroadblues.com/" target="_blank">awesome blues group Gravelroad</a>.</p>
<p>3. My films are a direct application of the storytelling and social media philosophies I apply to the MCDM.  That is using grassroots or institutional partnerships to get the word out, employing portable, relatively affordable technology to capture the stories, and leveraging social media tools to market the content, even while it&#8217;s a work-in-progress.  This is all fundamental to my belief in how digital media technology is fomenting <a href="http://mcdm.wordpress.com/2008/05/29/trailer-flip-the-media-a-media-revolution/" target="_blank">this communication revolution</a>, bypassing TMM to a large extent (although I employ a hybrid strategy as we still are able to sell the final product to broadcasters worldwide).</p>
<p>If you&#8217;d like a technical standards assignment, compare the various compression strategies employed by the online video platforms for the trailer (the film was shot and edited in full 1980&#215;1080 24p HD 35 mb/s):</p>
<p><a href="http://blip.tv/file/1147300/" target="_blank">Blip.tv</a></p>
<p><a href="http://www.youtube.com/watch?v=8Vp_44kHccM" rel="shadowbox[sbpost-1001];player=swf;width=640;height=385;" target="_blank">YouTube</a> (watch in standard and in &#8220;higher quality&#8221;)</p>
<p><a href="http://www.vimeo.com/1471755" target="_blank">Vimeo</a> (watch in HD).</p>
<p>Just added Sony&#8217;s <a href="http://crackle.com/c/Trailers/Independent_America_Rising_from_Ruins_Movie_Traile_/2352677#ml=fi%3d%26fu%3d2437020" target="_blank">Crackle</a> &#8212; which used to be quite UGC as &#8220;Grouper&#8221; and now prefers professional/serious filmmakers.</p>
<p>I used to be a big fan of Blip, but now YouTube has better compression standards, and Vimeo actually streams in HD.  In fact, Vimeo&#8217;s HD <a href="http://vimeo.com/help/hd#hd_encoding" target="_blank">encoding recommendation</a> is my new gold standard for compression: small files and excellent resolution.</div>



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